No audio purchase necessary for current owners of eligible devices. Offer valid for three months after eligible device pairing. Offer available for a limited time to new subscribers who connect an eligible device to an Apple device with iOS 15 or later or iPadOS 15 or later. Plan automatically renews until cancelled. She’s boisterously putting herself in conversation with figures like the inimitable Grace Jones, whom she ropes in for some guest vocals on ‘Move,’ and Donna Summer, whose ‘I Feel Love’ the singer joyously interpolates on album closer ‘Summer Renaissance.’ Outfitting that disco classic with a gussied-up kick drum and her own humid trills, Beyoncé displaces us from both the past and the present and situates us in her unique ecosystem, where the beats seemingly go on forever as history and future collide. Slant: “Beyoncé’s nods to the titans of this realm of dance music aren’t exactly subtle, but they don’t need to be. The ripped-from-the-headlines urgency of ‘Lemonade’ has been replaced by paeans of love, connection, and giving your all to the power of the moment.” Pitchfork: “There’s a playfulness to the way Beyoncé hops across sounds and eras on ‘Renaissance’ that’s bolstered by the album’s light lyrical density. Even some of the more uptempo cuts here showcase Bey’s mesmeric refrains in a mellifluous, low-key register, which feels noteworthy, seeing that some of her most iconic hits are throaty, melisma-drenched anthems, like 2011’s ‘Love on Top.’ These 16 songs, which dabble in deep house, Afrobeats, and elegant early-Eighties boogie, stand out as playful relics of an analog era in which even the big dance-friendly singles felt as lush and organic as the introspective songs you could zone out to at home on a lazy afternoon.” Rolling Stone: “What first strikes you about ‘Renaissance’ are its mellow atmospherics.
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Fast-paced bounce melds with glossy Diana Ross-inspired disco, tinges of soul, sweltering Afrobeats and gqom swirling trap, swaggering house, Jersey Club, New Jack Swing and even gritty, thumping maximalism (courtesy of PC Music’s AG Cook) on ‘All Up in Your Mind’ - often within the space of one song.
The Guardian: “‘Renaissance,’ for the most part, ventures beyond pastiche into far more eclectic, adventurous territory - a fine soundtrack for a feral summer of chaos and joy. On top of that, amid thick layers of instrumentation and sampling, she’s speaking to the extraordinary breadth of Black American dance music writ large.” Drawing on the forward-motion pulses of house, disco and more, Beyoncé uses rhythm to push in expansive emotional directions, singing about dignity and desire in high detail. Washington Post: “This is feel-good music in the sense that it’s also feel-everything music. And a sampling of key reviews suggests that Beyoncé has delivered: Still, her BeyHive fanbase has been waiting for new music. +1.10% Today’s Top Hits playlist later in the day, as well. And closing track “Summer Renaissance” was No. Music’s Top Albums Chart on Friday, and several “Renaissance” songs including “I’m That Girl,” “Alien Superstar” and “Cozy” were dominating the Top Songs Chart. The rest of the tracklist was generating plenty of buzz on the album’s release date, however. And some have noted that “Break My Soul,” the lead single from “Renaissance,” hasn’t exactly received a chart-busting response. Kelis, the artist best known for the 2003 single “Milkshake,” faulted Beyoncé for not seeking permission to sample a song of hers that’s featured on the album. But “Renaissance” has also already generated some controversy.